Discover the work of multidisciplinary artist Nadège Grebmeier Forget, in this artist profile produced by the PHI Foundation.
Best known for her live and private durational performances, she builds a critical reflection, across her projects, on the medium by questioning its presentation devices, the issues in its documentation, and the potential of its mediation. Her work draws its influence from the vocabulary of feminisms, her own body and personal psyche acting as mediums of observation, research, and transformation.
*French and English subtitles available. Click on the button in the bottom right corner of the video to activate them.
» Learn more about the public engagement project I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION)
Free
Foundation
I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION) is a public engagement project conceived by Nadège Grebmeier Forget and presented in dialogue with the exhibition Terms of Use
Limited Places
Foundation
For our Open House event, you are invited to participate in a creative activity with the artist who designed our public engagement project
Limited Places
Foundation
As part of the public engagement project I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION), Nadège Grebmeier Forget will present a performance, titled REFRACTIONS, HOW TO ELEVEN
Free
Foundation
I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION) is a public engagement project conceived by Nadège Grebmeier Forget and presented in dialogue with the exhibition Terms of Use
Limited Places
Foundation
For our Open House event, you are invited to participate in a creative activity with the artist who designed our public engagement project
Limited Places
Foundation
As part of the public engagement project I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION), Nadège Grebmeier Forget will present a performance, titled REFRACTIONS, HOW TO ELEVEN
Foundation
Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
Foundation
Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life
Foundation
This poetic and often touching project speaks to us all about our relation to the loved one
Foundation
DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist
Foundation
DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel
Foundation
The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve
Foundation
Eija-Liisa Ahtila’s film installations experiment with narrative storytelling, creating extraordinary tales out of ordinary human experiences
Foundation
For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities
