In this conversation, Rachel Echenberg is joined by PHI Foundation educator and project manager Amanda Beattie, to discuss how the instruction cards Pile, Touch, Yell, Cocoon: Performance Suggestions can be experimented with.
This activity is based on Rachel Echenberg’s performance practice. Through text and photographs, each propose an action to be performed in groups or alone. The cards are now available at the PHI Foundation, as well as online.
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Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
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Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life
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This poetic and often touching project speaks to us all about our relation to the loved one
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DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist
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DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel
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The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve
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Eija-Liisa Ahtila’s film installations experiment with narrative storytelling, creating extraordinary tales out of ordinary human experiences
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For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities
