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Embodied Spaces: unexpected encounters with performance art in Montréal

  • Article
  • PHI Centre
By  PHI

Article written by Alexandre Demers | English translation by Jo-Anne Balcaen

Since early 2024, the PHI Centre has presented a brand new series of monthly live performances. Artists of all backgrounds with wide-ranging practices take over our spaces to deliver unique and captivating works that set the stage for remarkable moments of vulnerability. But most of all, they create moments of connection with you, the public, who react to their works. The following overview looks at the ins and outs of our Embodied Spaces series, which has brought new life to the PHI Centre.

What was the intent behind Embodied Spaces?

Embodied Spaces grew out of the desire to explore the relationship between the artist and the public in different areas of the PHI Centre. It’s a creative opportunity for the local community of performance artists. Any artist whose practice is located within the wide spectrum of performative disciplines and whose work depends on the presence of an audience to bring it to life was invited to submit a project in view of presenting it to our viewers, and even shaping it in the process. 

The series is driven by the richness of our local creative community, which allows us to present a very diverse program each season. The first Embodies Spaces events gave us the pleasure of showcasing the talents of Andréanne Leclerc / Nadère arts vivants, Groupe eXplo*, Winnie Superhova, Sara Harton and Lila-Mae Talbot, Marcella França, Catherine Béland Desjardins and LA TRESSE, who work in performative installation, interdisciplinarity, and dance, among others. 

The series seeks to engage with viewers in unexpected ways because performance art opens invisible doors to intimacy, vulnerability, and contemplation. To make the most of the spontaneity of the moment to light those creative sparks. To meet the audience with a willingness to nourish the performance and experience moments of collective grace. 

*Founded by and for Montréal’s emerging cultural artists, and developed through Labos eXplo, the Group is both a platform and a springboard for emerging visual and performance artists in Québec.

1024 Antenna Espaces Incarnes Sara Harton Lila Mae Talbotv3 Credit Kevin Delamourd
Photo: Autotomy, presented by Sarah Harton and Lila-Mae Talbot at the PHI Centre / Kevin Delamourd
“Embodied Spaces gave [Autotomy] fertile ground in which to research, play, and share with an audience that is open, curious, and sensitive. Thanks to this opportunity, we were able to enrich and deepen our proposal while receiving the public’s feedback, which is an important step in the process.”

– Sarah Harton

About the project she presented with Lila-Mae Talbot in May 2024

1024 Espacesincarnes Winnie Superhova Credit Camille Dubuc
Photo: Seven, presented by Winnie Superhova at the PHI Centre / Camille Dubuc

An accessible gathering of performance art

Much more than a moment to reflect on the human condition, which we can all have access to collectively, Embodied Spaces is also a moment of communion that is free and open to all. This gives everyone direct access to culture each month, whether it be music, dance, theatre, and/or visual arts.

“By inviting the public to play with us, the goal is to create an intimate link with these fragile, unpredictable instruments [blocks of ice covering microphones] that melt and slip between our hands. At the same time, the shape of the blocks could refer to something architectural that interacts with the PHI Centre’s space, both sonically and visually,” said Nicola Giannini, who is presenting her piece Expansion in November 2024.

By making these performances more accessible, this PHI Centre initiative seeks to encourage cultural participation and support the local art scene, all while strengthening ties between artists and the community.

“The program is free to the public and is committed to making sure that the interests and practices of these artists redefines the visitors’ experience,” affirmed Phoebe Greenberg, Founder and Chief Creative Officer of PHI.

1024 Antenne Espaces Incarnes Catherine Desjardins Beland Credit Kevin Delamourd
Photo: Brailler comme une Madeleine, presented by Catherine Desjardins-BĂ©land at the PHI Centre / Kevin Delamourd

A gesture that is part of PHI’s philosophy

Due to their fluid nature and their ability to occupy our spaces, the performances in Embodied Spaces strengthen our programming as a whole, extending beyond the galleries and into the PHI Centre’s other areas. It’s become a way to illustrate the development of not only contemporary storytelling within our own activities, but also the intrinsic practices of artists who present their projects here.


“Lila-Mae and I … were compelled by the possibility of pursuing research into our characters’ identities. By immersing and investing ourselves in a completely new space with new conditions, we had so much fun discovering the endless nuances of these two headless creatures.”

– Sara Harton, on their show [Autotomy], currently in development.


“I was really inspired by [Embodied Spaces] … and I quickly imagined the concept of [PVA Glue Me, 2024]. I thought it could be a very simple action, something bodily, banal, and absurd. The apparent simplicity of [PVA Glue Me, 2024] can mask its underlying complexity and emotional depth.”

– Tess Martens, on the birth of her project.


“Embodied Spaces is an opportunity for the performance art community to explore the relationship between artist and audience in the [PHI Centre’s] public spaces. Performance art brings people together by creating direct engagement with audiences and by encouraging interdisciplinary dialogue.”

– Phoebe Greenberg, Founder and Chief Creative Officer of PHI.

Embodied Spaces continues at the PHI Centre. Come see our free performances in October, November, and December. Details on upcoming artists and themes can be found on the series’ web page.

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